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ARC Ensemble

Chamberworks by Paul Ben-Haim reviewed on FonoForum

GISELHER SCHUBERT, FONOFORUM
January 2015

Paul Ben-Haim, who was born Paul Frankenburger in Munich in 1897, emigrated to Israel in 1933 and died in Tel Aviv in 1984, was one of Israel’s most prolific and influential composers and composition teachers. Trained at Munich's Academy of Music, his musical beginnings belong to a late Romantic category of Brahmsian provenance.

The noteworthy piano quartet op. 4 (1921) harks back to these beginnings; following a performance in 1932, it was only heard again in 2012 thanks to the ARC Ensemble's absolutely immaculate recording. Ben-Haim's methodical, consistent and original expansion of Brahms' idiom, and his simultaneous attempt to leave it behind by integrating as many different types of music as possible into the context of traditional forms, is astonishing. In this way, the music of this piano quartet seems to develop while also leaving an imaginary musical centre, but without shattering or breaking up into disconnected parts. Admittedly, the piece is held together by the intense musical conviction of Canada's ARC ensemble, which mainly plays music by suppressed or politically persecuted composers. Their exemplary commitment is all the more convincing given that the musicians prove to be excellent and stylistically confident soloists who maintain a balance between the accuracy that chamber music requires and the more expansive momentum of a concert.

Also recorded is Ben-Haim's “Improvisation and Dance” op. 30, composed for Zino Francescatti, who also popularized this delightful work. With music such as this, composed by Ben-Haim in Israel, his creative ideas rise to a new level. Hebrew music is among the musical styles he now takes up, which is unobtrusively amalgamated into his compositions.

Ben-Haim’s clarinet quintet op. 31a, is certainly one of his major works; it still recalls Brahms, but its tone is now completely Hebraic, investing the music with a very special atmosphere of melancholy and sad restraint, which in this exquisite recording by the ARC Ensemble – clarinetist Joaquin Valdepeñas deserves special praise – appears like a cloudy November day. The work deserves to be included in the general repertoire and provides a welcome alternative to the clarinet quintets of Mozart and Brahms.

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Footage from ARC Ensemble's debut at the Lincoln Center Festival this past July




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Royal Conservatory on a mission to recover suppressed works

ROBERT EVERETT-GREEN
The Globe and Mail

They were dismissed from their jobs, forced into exile, often imprisoned and killed. They are the composers who suffered and died under Hitler and Stalin, and the Royal Conservatory of Music plans to establish an in-house institute to help retrieve their suppressed works.

“It’s striking to me how much of this music is simply unknown and unexplored,” says Simon Wynberg, artistic director of the RCM’s ARC Ensemble, which over the past decade has championed works by suppressed composers through concert tours and recordings, two of which were nominated for Grammy awards.

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A Green and Pleasant Land

 
As the ARC Ensemble moves into its 10th anniversary season, we have begun to look back at our archives. Among our past series are two concerts of English music composed between the wars which we presented under the title "A Green and Pleasant Land." These performances, which included poetry of the period read by R.H. Thompson, were broadcast by CBC Radio 2, and later packaged for NPR affiliates with introductions by the ARC Ensemble's Artistic Director, SImon Wynberg.

 

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Upcoming Concerts

2014

November 4, 2014
Four Seasons Centre for the Performing Arts
Toronto, Ontario

Holocaust Education Week
Performance and panel discussion featuring Simon Wynberg and Alexander Neef
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2015

March 27, 2015
Concertzaal
Ghent, Belgium

de Bijloke puur muziek
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March 29, 2015
Aula der Universität
Göttingen, Germany

Göttinger Kammermusik-gesellschaft
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May 7, 2015
Kennedy Centre, Terrace Theater
Washington, DC
Before The Night: Jewish Classical Masterpieces of Pre-1993 Europe
Pro Musica Hebraica
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> Kennedy Centre

May 21, 2015
Koerner Hall
Toronto, Ontario

21C
Details and repertoire TBA

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A short account of Mieczysław Weinberg's tumultuous life between 1940 and 1953; music from the ARC Ensemble's Grammy-nominated CD "On the Threshold of Hope."

The ARC Ensemble perform the opening movement of Paul Ben-Haim's Clarinet Quintet at the Enav Center, Tel Aviv.

James Conlon, Honorary Chairman of the ARC Ensemble talks about the Music in Exile tour to Israel in March 2011.

Benjamin Bowman – violin, and David Louie – piano, perform Mendelssohn's D minor Sonata movement which survives in an incomplete manuscript in the Mendelssohn collection of the Berlin State LIbrary. The work was completed by David Louie and its score can be downloaded here.

The ARC Ensemble's much-praised video Honour Bound, The Exile of Adolf Busch – directed by James Murcoch and produced by Simon Wynberg and James Murdoch, funded by Bravo!Fact.

The ARC Ensemble perform the opening movement of Paul Ben-Haim's Clarinet Quintet at the Enav Center, Tel Aviv.

James Conlon, Honorary Chairman of the ARC Ensemble talks about the Music in Exile tour to Israel in March 2011.

Benjamin Bowman – violin, and David Louie – piano, perform Mendelssohn's D minor Sonata movement which survives in an incomplete manuscript in the Mendelssohn collection of the Berlin State LIbrary. The work was completed by David Louie and its score can be downloaded here.

The ARC Ensemble's much-praised video Honour Bound, The Exile of Adolf Busch – directed by James Murcoch and produced by Simon Wynberg and James Murdoch, funded by Bravo!Fact.

"...expertly played by members of the eight-strong ARC Ensemble."
– Fionna Maddocks, The Guardian
July 21, 2013

"The recording is finely balanced, matching these committed and illuminating performances."
– Edward Bhesania, The Strad
August 28, 2013

"The ARC Ensemble arrived from Canada to offer rare repertory at Wigmore Hall [and] gave a beautifully performed programme of chamber works by Jewish composers undermined by Nazism: a fluent Clarinet Sonata by Mieczyslaw Weinberg, a vigorous Piano Quintet on Polish tunes by Szymon Laks, Paul Ben-Haim's big-boned, late-Romantic Piano Quartet in C minor, and, most memorable, an unfinished D minor violin sonata movement by the teenage Mendelssohn (Hider had it in for him, too), completed by the pianist David Louie, who played it with Benjamin Bowman. The composer's magical fleetness was in evidence, and other inspirations besides!"
– Paul Driver, The Sunday Times (London)
March 17, 2013

"Weinberg, a friend and follower of Shostakovich, died in partial obscurity in 1996, but his music is undergoing something of a revival… As a point of departure, I would recommend a superb disc of Weinberg's Clarinet Sonata, "Jewish Songs" and Piano Quintet, with members of the Arc Ensemble."
Alex Ross, The New Yorker Blog, August 29, 2011